Paintings
- The Charity Boy's Debut, 1847
- Italian Image Makers at the Roadside Alehouse [Image-Boys at a Roadside Alehouse], 1849
- Image Boy
- Answering the Emigrant's Letter [The Reply], 1850
- An Incident in the Life of St. Elizabeth of Hungary (The Renunciation of Queen Elizabeth of Hungary), 1850
- The Emigration Scheme, 1852
- A Son of the Soil, 1856
- To Let, 1856
- Home Again, 1856
- A Half-Length Portrait of a Woman Dressed in Black, Holding a Bible and Seated in a Chair (attributed)
- Going to Service, date unknown, but probably later in Collinson's career
- The Holy Famiy, 1878
Bibliography
Crowther, Paul. Awakening Beauty: The Crowther-Oblak Collection of Victorian Art. Exhibition catalogue. Ljubljana: National Gallery of Slovenia; Galway: Moore Institute, National University of Ireland, 2014.
Forbes, Christopher. The Royal Academy Revised, (1837-1901): Victorian Paintings from the Forbes Magazine Collection. Ed. Allen Staley. Catalogue for Exhibition at the Metroplitan Museum of Art and the Princeton University Art Museum, 1975. 140-41.
Grieve, Alastair. The Art of Dante Gabriel Rossetti. 2. The Pre-Raphaelite Modern-Life Subject. Norwich: Real Life Publications, 1976.
Hunt, William Holman. Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. 2 vols. London: 1905. 2nd ed. 1912. [Index]
Newall, Christopher. Victorian Pictures. London: Sotheby's (2 November 1994): lot 163. 88-90.
Newman, Helen D. James Collinson (aka "The Dormouse"). Foulsham: Reuben Books, 2016. 89-90.
Peattie, Roger W. "W. M. Rossetti's Reviews of James Collinson." The Journal of Pre-Raphaelite Studies V, no. 2, (May 1985): 101-02.
Last modified 26 June 2020