Dunster Village and Castle, Somerset
2018
Digital photograph by Patricia de Simone
[Click on image to enlarge it.]
Text by Philip V. Allingham
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Dunster Village and Castle, Somerset
2018
Digital photograph by Patricia de Simone
[Click on image to enlarge it.]
Text by Philip V. Allingham
[You may use this image without prior permission for any scholarly or educational purpose as long as you (1) credit the person who produced the photograph and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Somerset stopped to examine it. The castle was not exceptionally large, but it had all the characteristics of its most important fellows. Irregular, dilapidated, and muffled in creepers as a great portion of it was, some part— a comparatively modern wing—was inhabited, for a light or two steadily gleamed from some upper windows; in others a reflection of the moon denoted that unbroken glass yet filled their casements. Over all rose the keep, a square solid tower apparently not much injured by wars or weather, and darkened with ivy on one side, wherein wings could be heard flapping uncertainly, as if they belonged to a bird unable to find a proper perch. Hissing noises supervened, and then a hoot, proclaiming that a brood of young owls were residing there in the company of older ones. In spite of the habitable and more modern wing, neglect and decay had set their mark upon the outworks of the pile, unfitting them for a more positive light than that of the present hour.
He walked up to a modern arch spanning the ditch—now dry and green—over which the drawbridge once had swung. The large door under the porter’s archway was closed and locked. While standing here the singing of the wire, which for the last few minutes he had quite forgotten, again struck upon his ear, and retreating to a convenient place he observed its final course: from the poles amid the trees it leaped across the moat, over the girdling wall, and thence by a tremendous stretch towards the keep where, to judge by sound, it vanished through an arrow-slit into the interior. This fossil of feudalism, then, was the journey’s-end of the wire, and not the village of Sleeping-Green. [Chapter 2, Book the First, "George Somerset," p. 51-52]
By half-past ten the next morning Somerset was once more approaching the precincts of the building which had interested him the night before. Referring to his map he had learnt that it bore the name of Stancy Castle or Castle de Stancy; and he had been at once struck with its familiarity, though he had never understood its position in the county, believing it further to the west. If report spoke truly there was some excellent vaulting in the interior, and a change of study from ecclesiastical to secular Gothic was not unwelcome for a while.
The entrance-gate was open now, and under the archway the outer ward was visible, a great part of it being laid out as a flower-garden. This was in process of clearing from weeds and rubbish by a set of gardeners, and the soil was so encumbered that in rooting out the weeds such few hardy flowers as still remained in the beds were mostly brought up with them. The groove wherein the portcullis had run was as fresh as if only cut yesterday, the very tooling of the stone being visible. Close to this hung a bell-pull formed of a large wooden acorn attached to a vertical rod. Somerset’s application brought a woman from the porter’s door, who informed him that the day before having been the weekly show-day for visitors, it was doubtful if he could be admitted now. [Chapter 3, Book the First, "George Somerset," p. 53]
The editors of the Anniversary Edition of the Wessex Novels have apparently based their comments upon De Stancy Castle and the nearby village in A Laodicean upon those in Thomas Hardy's Wessex (1913), in which Herman Lea describes the novel's principal setting in similar terms:
Markton, which in the novel is a village near Stancy Castle, was evidently drawn from Dunster Village, near which stands to-day [1912] the castle of the same name. Most of the action in the story takes place in and around Dunster. Near the centre of the exceptionally wide main street of the village stands the old Yarn Market, an octagonal wooden building with wide overhanging eaves and light little dormer-windows. An atmosphere of mediævalism pervades the town; and we can freely conjecture from its present appearance what it must have been like two or three centuries back in time.
Dunster Castle had originally the form of a mediavel motte and bailey, but has become a country house, overlooking the village of Dunster (Hardy's "Markton" or originally "Sleeping-Green") in Somerset, England. Fortified since the Anglo-Saxon era, the hill on which the castle stands, the Tor, rises steeply above the village, which appears not to have changed much in the century since Herman Lea photographed the site for his book on the landscapes of Thomas Hardy's Wessex.
Although the castle of the novel has frequently been identified as Dunster Castle in
Somerset, C. J. P. Beatty has argued for Corfe Castle, despite the
fact that this coastal fortress suffered significant damage during the English Civil War
in the seventeenth century. However, during his revisions for the 1912 edition, Hardy
effected changes, among which was an allusion to the civil war between Stephen and
Matila, for Dunster, like the fictional Castle De Stancy, served as a stronghold for the
opposition to King Stephen during The Anarchy, a protracted internal conflict between
1135 and 1153. To complicate matters, the castle of Corfe or "Corvsgate," between Wareham
and Swanage, serves as a
backdrop in The Handof Ethelberta (1876), and Hardy based the village of
Sleeping-Green, according to F. B. Pinion in
Hardy, Thomas. A Laodicean. Intro. Barbara Hardy; notes by Ernest Hardy. London: Macmillan, 1975. Rpt. from 1912.
Hardy, Thomas. A Laodicean, A Story of To-day. "Anniversary Edition of the Wessex Novels." Vol 13. New York & London: Harper & Brothers, 1920. This edition derives in part from previous editions and the photographs of 1912.
Hardy, Thomas. A Laodicean. A Story of Today. Illustrated by Henry Macbeth-Raeburn. Volume Eleven in the Complete Uniform Edition of the Wessex Novels. London: Osgood, McIlvaine; 1896.
Hardy, Thomas. A Laodicean, A Story of To-day. Anniversary Edition of the Wessex Novels. Vol. 13. New York and London: Harper & Bros., and Macmillan, 1920.
Pinion, F. B. A Hardy Companion. London: Macmillan, 1968.
Wright, Sarah Bird. Thomas Hardy A to Z: The Essential Reference to His Life and Work. New York: FactsOnFile, 2002.
Last modified 19 April 2024