Decorated initial H

istorians of science have long criticized the 19th-century concept of the scientist as a solitary (male) genius. Recent scholarship has been particularly fruitful in tracing labor that was made invisible by the genius paradigm, and the forms of science pursued within academic institutions have come to be understood as just one form of knowledge that interacts or vies with other forms of knowledge, including indigenous knowledge practices. Focusing on knowledge production broadly construed has made unacknowledged or appropriated labor easier to identify. Caroline Herschel, while assisting her brother’s astronomical observations, identified several new comets in her own right. Ferdinand von Mueller employed female collectors to assist his surveys of Australian flora, and in the United States, the Harvard College Observatory employed a group of female “computers” to process its data. Mary Seacole drew on the traditional Creole healing practices of her mother — an “admirable doctress” — as the foundation for her own medical knowledge. Mary Somerville expertly synthesized the current state of scientific knowledge, while Ada Lovelace made major contributions to computer science through her commentary on Charles Babbage’s Analytical Engine. Anna Atkins pioneered the use of photography for botanical illustration in her Photographs of British Algae, and Beatrix Potter contributed to the study of mycology through her illustrations of fungi.

This special issue seeks to leverage this scholarly moment to take stock of the relationship between gender and scientific labor, as seen within a wide spectrum of knowledge production, display, and circulation: illustrating, translating, calculating, observing, collecting, engineering, synthesizing. We are interested in accounts of scientific friendships and mentoring, collective and individual work, literary representations, and experiences across the British empire. In recognition of the diverse forms of knowledge production that this issue seeks to highlight, we are also interested in articles addressing pedagogy, archival work, museum curation, and public-facing work.

Possible topics include:

Submission Instructions:

Articles should be between 5000-8000 words. Complete articles will be due on 1 November, 2025; we are requesting a title and short (200-word) abstract by April 30 2025, to be sent to longingtoknow.ncgs@gmail.com.

Issue editors: Imogen Forbes-Macphail and Anna Henchman

For more information about the journal click here


Created 27 March 2025