“Perseus Arming” (5 1/4-inch version) by Sir Alfred Gilbert

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Perseus Arming

Sir Alfred Gilbert, R. A. (1854-1934)

Bronze, rich mid-brown patination, on a black marble socle

5 1/4 inches (14.5 cm.)

Gilbert made the work in three different sizes, each work modelled as a separate sculpture as opposed to being mechanically teduced, as the proportions for each work vary enormously depending on the height ofthe work, here for instaoce the young hero's sword is as long as his entire lower body aod his winged sandals are as large as his feet. This particular version is a example of the very rare smallest size. The fine finish and patina give it a jewellike quality.

Other versions

29-inch version (1)

29-inch version (2)

14 1/4-inch version

Head (29-inch version)

Feet (29-inch version)

Commentary by Robert Bowman

Gilbert's greatness as a sculptor can be seen in his combination of neo-renaissance and romantic styles, combining the twisting forms of the former, with the charming subject matter, so popular with the pre-Raphaelite painters, of the latter.

The Greek mythology of Perseus is a favourite among poets and artists alike. Perseus was half-man and half-god; his mother was Danae a mortal who was seduced” by the God Zeus. His life was full of many brave and exciting stories, including his slaying of the Gorgon, Medusa. Medusa had the ability to petrify anything with her gaze, but Perseus had a polished shield that he brought up in front of his face as protection, looking at her in the reflection. In this way he was able to slay the Gorgon without being turned to stone in the process.

Gilbert's visit to Florence from his base in Rome in 1879, introduced him to the great bronzes of the Renaissance, in particular Donatello's David &nd Cellini's Perseus. His sculpture of Perseus combines his reaction to the sculpture with his own feelings about his life and career. He felt Perseus was a man just about to prove his worth, "He looks back to ensure he has all of the tools he needs." Gilbert claimed that he was "writing my own history” by symbol".

Perseus Arming was commissioned by Sir Henry Doulton and was first exhibited at the Grosvenor Gallery in 1882; critically acclaimed, it set the young twenty-eight year old sculptor on his path to becoming an A.R.A. in 1886.

Bibliography

Bowman, Robert. Craft and Creation — 2005. London: Robert Bowman Gallery, 2005, pp. 72-73.

Bowman, Robert. Sir Alfred Gilbert and the New Sculpture. London: The Fine Art Society, 2008.

Robert Bowman and the Fine Art Society, London, have most generously given their permission to use information, images, and text from the catalogue named above in the Victorian Web. Copyright on text and images from their catalogues remains, of course, with them. [GPL]

Beattie, Susan. The New Sculpture. New Haven: Yale University Press, 1983.

Last modified 9 June 2008