Scrooge's Christmas Eve
Charles Green
c. 1912
11 x 7 cm. vignetted
Dickens's A Christmas Carol, The Pears' Centenary Edition of "The Christmas Books," I, 28.
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Scanned image and text by Philip V. Allingham.
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Scrooge's Christmas Eve
Charles Green
c. 1912
11 x 7 cm. vignetted
Dickens's A Christmas Carol, The Pears' Centenary Edition of "The Christmas Books," I, 28.
[Click on the images to enlarge them.]
Scanned image and text by Philip V. Allingham.
[You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the newspapers, and beguiled the rest of the evening with his banker's-book, went home to bed. ["Stave One: Marley's Ghost," p. 26-28]
The actual caption on page 28 is a re-working of Dickens's text on the facing page; "Scrooge took his melancholy dinner in his usual melancholy tavern" becomes merely "Scrooge's Christmas Eve" in the "List of Illustrations" (19). Having dispensed with the business of the day, a well-dressed Scrooge pays little attention to his dinner as he studies the commercial section of an evening newspaper (undoubtedly the The Times) with intense concentration before he turns his attention to his favourite reading-matter: his bank-book. Green places Scrooge in a private booth, the curtain suggesting his apartness from the rest of humanity. Scrooge, not wasting a minute — for time is money to the capitalist — still has his topcoat on so that, once he has finished reading, he can depart quickly. Green's middle-aged capitalist, however, looks more like a late nineteenth-century banker or captain of industry than a businessman of the early 1840s — and he hardly looks "melancholy" in his thorough enjoyment of what he is reading. Nevertheless, Green's depicting Scrooge as a reader who can escape his present surroundings through engagement with print prepares us for the schoolroom scene, a flashback in which young Master Scrooge's only friends and companions are literary figures from Dickens's own childhood reading: Robinson Crusoe, Valentine and Orson, and Ali Baba from The Arabian Nights. Unfortunately as an adult reader Scrooge has substituted fact for fantasy, and Utilitarian discourses and possibly (since he quotes it) the Reverend Thomas Robert Malthus's Essay on the Principles of Population (1798) for works of imaginative sympathy.
Above: Furniss's presenting a variety of scenes on Christmas Eve as simultaneous, including a vignette of Scrooge at a hastily consumed meal in an impersonal public house, Scrooge's Solitary Dinner (1910).
Dickens, Charles. Christmas Books, illustrated by Sol Eytinge, Junior. Diamond Edition. 14 vols. Boston: Ticknor and Fields, 1867.
Dickens, Charles. Christmas Books, illustrated by Fred Barnard. Household Edition. 22 vols. London: Chapman and Hall, 1878. Vol. XVII.
_____. Christmas Books. Illustrated by Harry Furniss. The Charles Dickens Library Edition. 18 vols. London: Educational Book, 1910. Vol. VIII.
_____. Christmas Books, illustrated by A. A. Dixon. London & Glasgow: Collins' Clear-Type Press, 1906.
_____. A Christmas Carol in Prose, Being a Ghost Story of Christmas. Illustrated by John Leech. London: Chapman and Hall, 1843.
_____. A Christmas Carol in Prose: Being a Ghost Story of Christmas. Illustrated by Sol Eytinge, Jr. Boston: Ticknor & Fields, 1868.
_____. A Christmas Carol in Prose, Being A Ghost Story of Christmas. Illustrated by John Leech. (1843). Rpt. in Charles Dickens's Christmas Books, ed. Michael Slater. Hardmondsworth: Penguin, 1971, rpt. 1978.
_____. A Christmas Carol. Illustrated by Charles Green, R. I. London: A & F Pears, 1912.
_____. A Christmas Carol. Illustrated by Arthur Rackham. London: William Heinemann, 1915.
_____. Christmas Stories. Illustrated by E. A. Abbey. The Household Edition. 16 vols. New York: Harper and Brothers, 1876.
Created 2 August 2015
Last modified 29 February 2020