Britain and Clemency reading the Bill
Charles Green
1893 & 1912
10.5 x 8.3cm, vignetted
Dickens's The Battle of Life, The Pears' Centenary Edition, IV, 111.
[Click on the images to enlarge them.]
Scanned image and text by Philip V. Allingham.
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Britain and Clemency reading the Bill
Charles Green
1893 & 1912
10.5 x 8.3cm, vignetted
Dickens's The Battle of Life, The Pears' Centenary Edition, IV, 111.
[Click on the images to enlarge them.]
Scanned image and text by Philip V. Allingham.
[You may use these images without prior permission for any scholarly or educational purpose as long as you (1) credit the photographer and (2) link your document to this URL in a web document or cite the Victorian Web in a print one.]
"Oh! Wait a minute. Here's a printed bill to stick on the wall. Wet from the printer's. How nice it smells!"
"What's this?" said Ben, looking over the document.
"I don't know," replied his wife. "I haven't read a word of it."
"To be sold by Auction," read the host of the Nutmeg-Grater, "unless previously disposed of by private contract."
"They always put that," said Clemency.
"Yes, but they don't always put this," he returned. "Look here, 'Mansion,' &c. — 'offices,' &c., 'shrubberies,' &c., 'ring fence,' &c. 'Messrs. Snitchey and Craggs,' &c., 'ornamental portion of the unencumbered freehold property of Michael Warden, Esquire, intending to continue to reside abroad'!" ["Part the Third," 1912 Pears edition, 110]
Green or his editor, Clement Shorter, has augmented the short title on page 14 (Britain and Clemency reading the Bill) with a direct quotation beneath the actual illustration: "'To be sold by Auction,' read the host of the Nutmeg-Grater, 'Mansion,' &c. — 'offices,' &c., 'shrubberies,' &c., 'ring fence,' &c. 'Messrs. Snitchey and Craggs,' &c." (111, and, in the text, at the bottom of the facing page). The caption omits the key part of the bill of sale: "freehold property of Michael Warden, Esquire, intending to continue to reside abroad'!" In other words, Warden does not intend to return to England, and, therefore, Marion (thought to have run off with him) will not be returning. The only illustration in the 1846 sequence that alludes directly to The Nutmeg Grater Inn is Clarkson Stanfield's The Nutmeg Grater (see below), a picturesque setting for the opening action of "Part the Third." Through this small-scale illustration Green alludes to the popular misconception in the village that Marion Jeddler ran off with Michael Warden, a misconception that Warden himself is about to dispel.
Each contains about thirty illustrations from original drawings by Charles Green, R. I. — Clement Shorter [1912]
Dickens, Charles. The Battle of Life. Illustrated by Charles Green, R. I. London: A & F Pears, 1912.
Created 25 May 2015
Last modified 23 March 2020