"You're not a false imp? You brought no one with you?"
John McLenan
24 November 1860
11.7 cm high by 11.6 cm wide (4 ½ by 4 ½ inches) framed
Dickens's Great Expectations, Harper's Weekly 4: 741.
Scanned image and text by Philip V. Allingham.
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Passage Illustrated: Magwitch expresses sympathy for the orphan
He was gobbling mincemeat, meatbone, bread, cheese, and pork pie, all at once: staring distrustfully while he did so at the mist all round us, and often stopping — even stopping his jaws — to listen. Some real or fancied sound, some clink upon the river or breathing of beast upon the marsh, now gave him a start, and he said, suddenly, —
“You’re not a deceiving imp? You brought no one with you?”
“No, sir! No!”
“Nor giv’ no one the office to follow you?”
“No!”
“Well,” said he, “I believe you. You’d be but a fierce young hound indeed, if at your time of life you could help to hunt a wretched warmint hunted as near death and dunghill as this poor wretched warmint is!” [Chapter II, 741; Plate 3, facing p. 28, in the T. B. Peterson single-volume edition of 1861; refers to p. 29.
Other editions' illustrations for Pip and the Convict (1860-1910)
Left: Pip and the Convict (1867), frontispiece for the Diamond Edition by Sol Eytinge, Jr. Centre: In the Household Edition British illustrator F. A. Fraser sets the confrontation of the ragged convict and the terrified child against the headstone of Pip's parents: "And you know what wittles is?" (1876). Right: Harry Furniss's 1910 lithographic depiction of the encounter is far more violent and sensational: Pip's Struggle with the Escaped Convict, in the Charles Dickens Library Edition, Vol. 14.
Left: F. W. Pailthorpe's "Terrible Stranger in the Churchyard." Right: H. M. Brock's "I made bold to say 'I am glad you enjoy it'".
Related Material, Including Penal Transportation and Film Adaptations
- Transportation as Judicial Punishment in Nineteenth-Century Britain
- The Parliamentary Report on Transportation (1838)
- The Cornhill, Great Expectations, and The Convict System in Nineteenth-Century England
- Abel Magwitch: A Chronology of the Step-father Figure in Dickens's Great Expectations
- Dickens's Great Expectations in Film and Television, 1917-2000
- Charles Dickens’s Great Expectations
- Bibliography of works relevant to illustrations of Great Expectations
Other Artists’ Illustrations for Dickens's Great Expectations
- Edward Ardizzone (2 plates selected)
- H. M. Brock (8 lithographs)
- J. Clayton Clarke ("Kyd") (2 lithographs from watercolours)
- Felix O. C. Darley (4 photogravure plates)
- Sol Eytinge, Jr. (8 wood engravings)
- Marcus Stone (8 wood engravings)
- Frederic W. Pailthorpe (21 steel engravings)
- F. A. Fraser in the Household Edition (29 wood engravings)
- Harry Furniss (28 plates)
- Charles Green (10 lithographs)
Bibliography
Allingham, Philip V. "The Illustrations for Great Expectations in Harper's Weekly (1860-61) and in the Illustrated Library Edition (1862) — 'Reading by the Light of Illustration'." Dickens Studies Annual, Vol. 40 (2009): 113-169.
Dickens, Charles. Great Expectations. Harper's Weekly: A Journal of Civilization. Il. John McLenan. Vol. IV.
______. ("Boz."). Great Expectations. With thirty-four illustrations from original designs by John McLenan. Philadelphia: T. B. Peterson (by agreement with Harper & Bros., New York), 1861.
______. Great Expectations. Volume 6 of the Household Edition. Illustrated by F. A. Fraser. London: Chapman and Hall, 1876.
Paroissien, David. The Companion to "Great Expectations." Westport, Conn.: Greenwood, 2000.
Created 7 July 2005 Last updated 20 November 2021